Uttam Kumar: Undisputed King of the Bengali Silver Screen"It is the demise of a leading light of the Bengali film industry…There isn't -- there won't be another hero like him.”
-- Satyajit Ray after Uttam Kumar's death
Uttam Kumar's hypnotic screen presence, mellow voice, unique charisma and dazzling smile made him not just a heartthrob, but also a legend of Bengali Cinema. For the Bengali fraternity, he was undoubtedly the “Mahanayak” (The Great Hero), the undisputed king of the Bengali silver screen for nearly three decades. September 3 marked the 81st birthday of this icon. Born as Arun Kumar Chatterjee in 1926 at Ahiritola, North Kolkata, he was called 'Uttam' by his maternal grandmother. The extended family had its own theatre group Suhrid Samaj which staged many amateur shows within the community. Besides acting, young Uttam was also into sports. He took up wrestling, swimming, lathi-khela, horse riding and tennis.
After graduation, the financial condition of his family forced Uttam to take up employment as a clerk at the Port Commissioner's office. In 1947, he got an offer for a brief role in a Hindi film Mayador. The film never saw the light of day. His first release in fact was the Bengali film Drishtidaan (1948) directed by Nitin Bose. In the film Uttam was credited as Arun Kumar. The film was a flop. In 1949 he made his debut as the leading man; Kamana crediting him as Uttam Chatterjee. But this too bombed. By then the Industry had labelled him a “flop master”. During this time he had got married to Gauri Ganguli (in 1948). Fortunately for Uttam, Basu Parivar (1952), co-starring Sabitri Chatterjee, was a big hit.
Uttam delivered another big hit Sharey Chuattar in 1953. In the film he was paired for the first time with Suchitra Sen. With Agnipariksha, the following year again hitting the bull's-eye, the Uttam-Suchitra pair ushered in the so-called “Golden era of Bengali Cinema”. They went on to become icons of Bengali romantic melodramas for more than twenty years becoming almost a genre themselves. Their films were famous for the soft-focus close ups of the stars, particularly Suchitra's, and lavishly mounted scenes of romance against windswept expanses and richly decorated interiors. The story lines often revolved around a pattern wherein the lovers would meet and fall in love. And then either the family or difference in status of the two would cause hurdles in the romance. Some popular films of the pair include Shap Mochan (1955), Sagarika (1956), Harano Sur (1957), Saptapadi (1961), Bipasha (1962) and Grihadah (1967).
Shonar Harin (1959) saw Supriya Devi play the lead opposite Uttam Kumar. As they began to act in more films together, the two got involved off screen as well. Many of Uttam's films with Supriya too were huge successes at the box office but there was a marked difference in audience perception to these films as compared to his films with Suchitra.
When Satyajit Ray made Nayak (1966), he created the role of actor Arindam Mukherjee keeping Uttam Kumar in mind. Many people feel the film is autobiographical to Uttam Kumar's own life -- the sense of anxiety and restlessness of the character mirrored Uttam's insecurities about his phenomenal success and abiding fear that his superstardom might not last. Ray later confessed that if Uttam had refused the film, he would have abandoned it. The actor worked with Ray again the following year in Chidiakhana (1967). When the Indian Government instituted the National Awards for Best Actor and Actress in 1967, Uttam Kumar was the first recipient of the Best Actor Award for his performances in Chidiakhana and Anthony Firangee (1967). (Nargis won Best Actress for ?Raat Aur Din (1967).
Uttam also tried his hand at the popular Bombay/Hindi films with the oft-criticised box office bomb Chhoti Si Mulakat, a film he produced and starred in, among others that were better received. A strict workaholic, he was rumoured to have said that his preferred demise would be on the floor of a studio, doing what he loved best, acting. Indeed, that is exactly how he died. While filming Ogo Bodhu Shundori in 1980, he died of a massive heart attack at the age of 54 (Daily Star, September 13, 2007).
Jokhon Porbe na more (Rabindra Sangeet)
Chiriyakhana [Satyajit Roy Detective Movie with Uttam Kumar]
Moon Niye - Ami Path Vola Ek Pothik Rabindra sangeet
Sankha Bela - Mukhoro Bador din-e (Rabindra sangeet)
Chowringhee - Ai Kothati mone Rekho (Rabindra sangeet)
Chowringhee - Boro Eka Lage
Nooborag - Ami Jene sune (Rabindra sangeetCast: Uttam Kumar, Suchitra
Uttam Kumar, Sharmila Tagore etc.Sung by: Lata Mangeshkar.
Anand ashram- saara pyar tumhara
Agni Pariksha - Gaan a moreUttam Kumar, Suchitra Sen
Tomar Bhubone mago
Deep Jele Jai - Ai Raat Tumar Amar
Agni Pariksha - Ke Tumi amare
Nijhum Sandhaye Pantha Moon Niye - Ogo Kajol Noyonahorini
Ogo Kajol Noyonahorini
Asharh Shrabon Mane
Surya Toran- Tumi to jano na
Purnima raatSinger: Hemanta Mukherjee Movie: Nayika Sangbad (1967
Pathey Holo Deri - Tumi na hoi
Ekti Raat - O Bashi Baje
Shilpi - Fagun Jane
Surjo Dober Uttam Kumar, Suchitra Sen, Chhabi Biswas Singers: Hemanta Mukherjee, Geeta Dutt Movie: Indrani (1958) Indrani - Nir Choto Uttam Kumar, Suchitra Sen Saptapadi- Ai path Jodi Shes Na Hoi
Satapdi- Movie: Ai path Jodi Shes Na Hoi
Tumi Je Amar
Pathey Holo Deri - Tumi na hoi
Pathey Holo Deri - Tumi na hoi Romantic Bangla Movie Songs picturised on Uttam Kumar & Suchitra Sen
Artist: Uttam Kumar Sung by: Manna De (more)
Uttam Kumar, Ranjit Mullick, Mithu Mukherjee, Anup Kumar, Sabitri Chatterjee etc.
Gum Gum ChandUttam Kumar, Suchitra Sen, Sabar Upara Bon Palashir Padabali - Aaha Mori mori Uttam Kumar, Supriya
Samadhan [Uttom Kumar]--
Ae Ki Holo [Burman; Casting Uttam Kumar]
Prithibi Amare Chai - Nishi raat baka chand
Responses to “Ekhane Pinjar : A Uttam Kumar Movie
Last Modified: Seotember 24, 2007
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